There is a Treviso that cannot be found on sat-nav maps. It is the Treviso that Dante Alighieri mentioned in the Divine Comedy, the one that the poets of the thirteenth century called “Joyful and Loving”. For those staying at Court of Marga, this city represents a mandatory stop, a journey through time: a labyrinth of water and frescoes that whispers stories of knights, sieges, and rebirths.
The territory of Treviso is called “La Marca” (or Marca Trevigianadue to its medieval historical origins, when it constituted a “mark”, meaning a strategic border zone of the Holy Roman Empire.
In the 8th-9th centuries, the territory was included in the “March of Friuli”, but with Slavic and Magyar incursions, the core was reduced to the areas around Treviso, Ceneda (Vittorio Veneto), and Cividale, giving rise to the March of Treviso.
During the 12th-13th centuries, the area experienced great economic, social, and cultural prosperity, earning this famous appellation, which denoted a rich, cultured, and courteous land.
To understand Treviso means accepting that the city is a living organism that has changed its skin many times, but has always maintained its “courteous” spirit.
Treviso wasn't born out of nothing. The ancient Municipality of Treviso it is still there, buried beneath the limestone of centuries. If you walk through the alleys of the centre, you are following the ancient path of the Roman Cardo and Decumanus.
But it was in the Middle Ages that the city experienced its golden age. Before becoming Venice's “most faithful,” Treviso was a proud city-state, famous throughout Europe for its outlaw courts and courtly festivals. It is here that the myth of the “Castello d'Amore”, a medieval jousting tournament where young nobles competed with flowers and perfumes to win over the ladies. It is this hedonistic and cultured spirit that has forged the character of the people of Treviso.
Treviso doesn't have the sea, but it has the Sile and its branches, and it's a surprising experience to see it flowing lazily through the streets of the city, offering truly unique views; we recommend these stops:
Why is Treviso painted? It wasn't purely aesthetic. Between the 14th and 16th centuries, Treviso chose not to use marble (which belonged to its rival Venice), but rather colour; it was a declaration of identity.
And so the nobles of Treviso decided to “dress” the city with colour and the palaces became open books:
These fantastic artistic friezes, which accompany your walk, are still visible today. We suggest you visit these places:
This is not just a church, it's a gothic spaceship made of red brick. Step inside the Bishop's Seminary (Chapter House): who Tomaso da Modena, in 1352, painted 40 portraits of illustrious Dominicans. In one of these, Cardinal Hugh of Provence is depicted with a pair of glasses on the nose. It is the first depiction of corrective lenses in the history of world art. A detail that alone is worth the trip from the Court of Marga.
Hidden in a courtyard of the Roman Road Gallery, the Fountain of Breasts Today it gushes water, but it remains a symbol of Treviso's generosity and abundance. Built in 1559, it once spurted white and red wine with every installation of a new Podestà.
In Treviso, you don't just “eat”, you perform a ritual.
Treviso is an “amphibious” city. The Sile River and the canals (the Cagnani) were not just decorative: they were the city's industrial engine. The mill wheels, still visible in Via dei Buranelli, ground grain for the whole region. But water was also defence: the mighty Renaissance Walls, designed by Fra’ Giocondo on behalf of the Republic of Venice, could literally flood the surrounding countryside to stop enemy armies.
Treviso doesn't reveal itself at first glance. To discover the Early Christian mosaics hidden beneath the Duomo, to interpret the enigmas of the portraits of Tomaso da Modena (with the first spectacles in human history) or to access noble palaces' secret gardens, a key is needed.
Without expert guidance, this “skin” remains silent, many of the most precious treasures are hidden in private courtyards or beneath layers of plaster that only an expert eye can read.
Unlock the secrets of the Painted City, alla Corte di Marga, we believe that travel is discovery, not just movement. Through our Marketplace, you'll be able to book exclusive guided tours with art historians who will open doors usually closed to the public for you.